A rawly moving debut filled with insights into the legal system and its shortcomings.
A London lawyer’s faith in the legal system is tested after she’s sexually assaulted.
As a criminal defense attorney, Tessa Ensler is often called upon to argue on behalf of people accused of rape. Possessed of an acute knowledge of the law and a brilliant mind (and, as she comes to realize, the default upper hand), Tessa routinely wins acquittals for her clients. She never resorts to dirty tactics such as suggesting the alleged victims “asked for it” by wearing revealing clothes; she simply teases out inconsistencies, contradictions, and other flaws in their accounts, enough to plant a seed of doubt in the jurors’ minds. Her role, as she sees it, is to tell the best version of a defendant’s story; the prosecutor is tasked with doing the same for the plaintiff. Then, it’s up to the judge to decide which narrative is more plausible. To Tessa, the law, for all its imperfections, is truly a force for justice. If one of the clients she’s successfully defended is indeed found guilty, well, the fault lies with the prosecutor for dropping the ball. Based on Miller’s play of the same name, this novel considers the chasm between what Tessa terms “the legal truth” and the actual truth. Can a system built by and for wealthy white men really do right by anyone who doesn’t fit that mold? Tessa’s answer changes after an ill-fated date with a fellow barrister. Back at her apartment, in a violent encounter rendered in horrifyingly vivid detail (that’s a compliment to Miller, not a critique), he forces himself on her, ignoring her protestations and pinning her down. More than two years later, the resulting trial begins—a chance for Tessa to not only have her day in court, but also to assess the effectiveness of the institution she upholds. While the opening chapters can drag (since we know where the plot is headed), the pivotal scene hits like a ton of bricks, evoking in full the physical and emotional horror of sexual assault and its lasting effects on the victim.
A rawly moving debut filled with insights into the legal system and its shortcomings.Pub Date: Jan. 30, 2024
ISBN: 9781250292209
Page Count: 288
Publisher: Henry Holt
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
SEEN & HEARD
A great premise leads through all the twists you’d expect to a thoroughly muddy final movement.
Sports agent Myron Bolitar meets the Setup Serial Killer, who’s found a highly effective way to keep anyone from connecting the dots.
There’s no arguing with DNA evidence, the ultimate forensic clincher. So when basketball player Greg Downing’s DNA is found on the scene where retired model Cecelia Callister and her son, Clay, were killed, the FBI comes calling on Myron to ask where they can find Greg. Myron’s a reasonable person to ask because Greg was his schoolmate and former client, the man who wooed and won Myron’s girlfriend away from him and made her Emily Downing. Try as he might, though, Myron can’t help much beyond repeating the obvious: Greg died three years ago, and his body was cremated. Since the Feds aren’t about to give up their search, Myron and his partner, financial advisor Win Lockwood, decide they’d better see if they can get ahead of this story by confirming or contradicting the story of Greg’s death. Meantime, a series of interleaved episodes show the killer eliminating a series of primary targets and framing secondary targets so convincingly for the murders, with special thanks to planted DNA, that it never occurs to the police to connect crimes that were so readily solved on their own. Complications arise when Myron’s thrown together with Jeremy Downing, the son he fathered in a pre-wedding tryst with Emily and then passed off as Greg’s, and when the allies of mob boss Joseph “Joey the Toe” Turant, who was locked up four years ago after his DNA-fueled conviction for the murder of Jordan Kravat, decide to lean on Myron to get him to reveal where Greg is.
A great premise leads through all the twists you’d expect to a thoroughly muddy final movement.Pub Date: May 14, 2024
ISBN: 9781538756317
Page Count: 368
Publisher: Grand Central Publishing
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
A moving portrait of rueful middle age and the failure to connect.
An acclaimed novelist revisits the central characters of his best-known work.
At the end of Brooklyn (2009), Eilis Lacey departed Ireland for the second and final time—headed back to New York and the Italian American husband she had secretly married after first traveling there for work. In her hometown of Enniscorthy, she left behind Jim Farrell, a young man she’d fallen in love with during her visit, and the inevitable gossip about her conduct. Tóibín’s 11th novel introduces readers to Eilis 20 years later, in 1976, still married to Tony Fiorello and living in the titular suburbia with their two teenage children. But Eilis’ seemingly placid existence is disturbed when a stranger confronts her, accusing Tony of having an affair with his wife—now pregnant—and threatening to leave the baby on their doorstep. “She’d known men like this in Ireland,” Tóibín writes. “Should one of them discover that their wife had been unfaithful and was pregnant as a result, they would not have the baby in the house.” This shock sends Eilis back to Enniscorthy for a visit—or perhaps a longer stay. (Eilis’ motives are as inscrutable as ever, even to herself.) She finds the never-married Jim managing his late father’s pub; unbeknownst to Eilis (and the town), he’s become involved with her widowed friend Nancy, who struggles to maintain the family chip shop. Eilis herself appears different to her old friends: “Something had happened to her in America,” Nancy concludes. Although the novel begins with a soap-operatic confrontation—and ends with a dramatic denouement, as Eilis’ fate is determined in a plot twist worthy of Edith Wharton—the author is a master of quiet, restrained prose, calmly observing the mores and mindsets of provincial Ireland, not much changed from the 1950s.
A moving portrait of rueful middle age and the failure to connect.Pub Date: May 7, 2024
ISBN: 9781476785110
Page Count: 304
Publisher: Scribner
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
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SEEN & HEARD
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