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DEATH BY CHAOS

A sublime portrayal of an unfaltering friendship in the face of adversity.

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In this debut novel, three women at their 20-year college reunion reexamine details surrounding a death their friend and former roommate supposedly caused.

In 1969, four new roommates at the Parnassus Canyon University in California hit it off almost immediately. Tasha Marie Goldberg, Elizabeth Adams, Dawn Wolfe, and Miranda Taylor are all bright, distinctive, and ambitious. But Tasha has her share of troubles and, in her senior year, goes to Kip Morgan for the answers to the upcoming biology midterm. During their secret rendezvous, Miranda jogs past, and loathsome, switchblade-wielding Kip aggressively taunts and pursues her before he fatally falls from bleachers. Though Tasha witnesses it, Miranda wants to avoid the authorities. Kip is the son of John Morgan, the board of trustees president, while Miranda, a reporter for the school newspaper, wrote a scathing investigative piece on the local police. She’s also certain Tasha’s promiscuity and academic cheating will negate her witness statement. When Kip’s friends spot Miranda, she flees and subsequently becomes a murder suspect. Reports of the death reveal John’s frightening influence: Kip reputedly suffered multiple stab wounds, which Tasha knows isn’t true. Years pass, and Miranda, still in hiding, leaves annual cryptic messages for Tasha (including a bouquet and an accompanying movie quote). Tasha, Elizabeth, and Dawn meet every year. During their 20-year PCU reunion, handsome biker Roger Gala catches their attention. He expresses an apparent interest in each woman as well as Miranda’s case. This renews the friends’ curiosity about the matter, and soon Elizabeth and Dawn may learn what Tasha has always known.

West’s concise writing throughout produces a brisk, descriptive novel. She quickly establishes the characters of the four roommates, whose social classes, life experiences, and temperaments noticeably vary. They essentially define their personalities by equating themselves with goddesses; Miranda chooses Eris, the goddess of discord. This leads to their endearing group name of “goddesses,” which they continue using years later. But the story ultimately centers on Tasha, who becomes a successful actor and marries TV director Jacob Felding. It’s somewhat disappointing since Elizabeth and Dawn are equally absorbing. Dawn, for one, who was conceived when White men gang-raped her Navajo mother, has a generally tranquil disposition and, fittingly, becomes a therapist. The fateful scene Tasha witnesses is suitably unsettling: Kip tries goading Miranda with homophobic slurs but adds a new, terrifying element by pulling out a switchblade. Similarly, the tense aftermath entails more than one person being deceitful. Although there’s no mystery with regard to Kip’s accidental death, there are a couple of enigmatic characters deftly inserted into the mix. For example, Miranda suggests that Tasha can trust one of her sources, whom she refers to only as the Marlboro Man. Roger, too, is initially puzzling, as he suddenly appears in the women’s lives, but readers will likely guess his link to Miranda’s case. The vivid final act deals with possibly clearing Miranda’s name as well as uncovering where she has been for two decades. Nevertheless, the author allows some questions to linger by the memorable denouement.

A sublime portrayal of an unfaltering friendship in the face of adversity. (dedication, author bio)

Pub Date: N/A

ISBN: N/A

Page Count: 208

Publisher: Manuscript

Review Posted Online: Aug. 12, 2020

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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