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DARK EARTH

Stott fills holes in written history with magic, mythic resonance, and 21st-century wish fulfillment.

The author of In the Days of Rain (2017) and Darwin’s Ghosts (2012) returns to fiction with a mix of history and fantasy.

“Dark earth” is the name geologists give to the layer of dirt—rich in organic matter, sometimes flecked with artifacts—that indicates a long period of human settlement. The narrative that Stott constructs here is built from an actual archaeological find—a Saxon brooch unearthed in the ruins of a bathhouse—and the figurative dark earth of the city once called Londinium. Beginning in the first century B.C.E., Britain was a Roman province for almost 400 years, and the historical record for the 500-year period after the occupiers withdrew is scant. Stott builds a rich world from fragments of fact and mythic imagining. Her central character, Isla, lives with her sister, Blue, and their father on an island in the Thames. A smith with the rare gift of making “firetongued” swords, Isla’s father is captive to Osric, Seax Lord of the South Lands; when he dies, Isla must deliver a sword to Osric without revealing that her father broke the taboo against teaching a woman his craft. Once she and Blue arrive at Osric’s court, they have to navigate complex politics after having been raised in isolation. Ultimately, they will have to flee for their lives into the “Ghost City” that has fallen into ruin since the “Sun Kings” disappeared. Stott presents a diverse Dark Ages. Isla and Blue are friends with—and protected by—Caius, descended from a line of African soldiers recruited by the Romans and now working for the Saxons who rule the south of Britain. There are Christian priests and Wiccans and a woman named Crowther who is a priest to Isis. In the Ghost City, Isla and Blue meet runaways from many lands. Most of them are women, and Isla falls in love with one of them. The conflict at the climax of this novel is not a clash of arms but a battle between brute power and cunning, between selfish greed and communal strength.

Stott fills holes in written history with magic, mythic resonance, and 21st-century wish fulfillment.

Pub Date: July 19, 2022

ISBN: 978-0-8129-8911-3

Page Count: 320

Publisher: Random House

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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