This book will give insomniacs a compelling reason to sit up all night.
Things go dangerously wrong when a middle-class wife and mother impulsively opens her home to a homeless teen and her tiny baby in Kubica’s sophomore novel.
When Heidi Wood, a woman who can’t help herself from helping others, spots a teenage girl with a small baby on the platform of Chicago’s train system, her heart goes out to them. Not only is it cold and raining, but the pair is obviously in need of help. Soon, Heidi has spotted the homeless teenager again, and, being the nurturing type, she feels compelled to reach out to her. That annoys her husband, Chris, and selfish 12-year-old daughter, Zoe. But Heidi ignores her husband’s misgivings—after all, he’s distracted by the new girl at work, Cassidy Knudsen, a lissome blonde who always seems to be nearby when Heidi calls. So when she brings the girl, Willow, and Ruby, her baby, into their condo, it only widens the gap between Heidi and Chris. And, through some clever foreshadowing, the reader knows, almost from the outset, that this isn’t going to turn out so well for the Wood family. Kubica skillfully weaves the story together, with Chris, Heidi, and Willow all narrating portions of the tale. As bits and pieces of Willow’s story are revealed, the other characters keep the story moving forward toward what the reader knows will be disastrous results. Kubica's debut novel, The Good Girl (2014), also employed multiple points of view and timelines, but Kubica serves up a much more cohesive tale this time around—the story is almost hypnotic and anything but predictable. The writing is compelling, but Kubica’s strong point is being able to juggle a complicated plot and holding the reader’s interest without dropping any of the balls she has in the air.
This book will give insomniacs a compelling reason to sit up all night.Pub Date: July 28, 2015
ISBN: 978-0-7783-1770-8
Page Count: 384
Publisher: Harlequin MIRA
Review Posted Online: April 29, 2015
Kirkus Reviews Issue: June 1, 2015
PROFILES
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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