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WOE

A HOUSECAT'S STORY OF DESPAIR

An amusing, heartfelt, and bittersweet read that will resonate deeply with pet lovers.

A compilation of Knisley’s webcomics about the life of her orange house cat, Linney.

Linney, “a glorious apricot-hued cloud of softness,” loves to yowl about the tragic woes that befall her: She experiences despair over empty food dishes, irritatingly persistent devotion from dog friend Flora, and the aggravations of life with Knisley’s “human kitten.” Linney’s “torrid past” (unknown to her humans, since she was adopted from a shelter as an adult) has left her with a single fang, and she melodramatically expresses her displeasure (“Woe. Woe. Woe.”) whenever she’s forced to undergo horrible inconveniences. Bestselling comic creator Knisley draws Linney’s exaggerated facial expressions and body language in a minimalist way that allows the cat to express a broad range of emotions, from self-important dismay to indulgent contentment. Linney’s magnificent fluffiness is shown to great effect, particularly after a humiliating haircut, and the ever-present fang stands out as part of her “Signature SneerTM” when Linney complains. The author’s skillful rendering of her devoted attachment to her cat sets this graphic novel apart, giving it an added layer of depth as a mature look at the arc of a cat’s life and relationships with her two- and four-legged family members. The clean, attractively colored scenes appear against a plain white background without solid panel outlines, making Linney’s expressive green eyes and orange fur pop. The story is conveyed through speech bubbles with fluid, dynamic lettering.

An amusing, heartfelt, and bittersweet read that will resonate deeply with pet lovers. (Graphic fiction. 12-18)

Pub Date: July 2, 2024

ISBN: 9780593177631

Page Count: 208

Publisher: Random House Graphic

Review Posted Online: April 5, 2024

Kirkus Reviews Issue: May 1, 2024

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THE FAINT OF HEART

A fast-paced dip into the possibility of a world without human emotions.

A teenage girl refuses a medical procedure to remove her heart and her emotions.

June lives in a future in which a reclusive Scientist has pioneered a procedure to remove hearts, thus eliminating all “sadness, anxiety, and anger.” The downside is that it numbs pleasurable feelings, too. Most people around June have had the procedure done; for young people, in part because doing so helps them become more focused and successful. Before long, June is the only one among her peers who still has her heart. When her parents decide it’s time for her to have the procedure so she can become more focused in school, June hatches a plan to pretend to go through with it. She also investigates a way to restore her beloved sister’s heart, joining forces with Max, a classmate who’s also researching the Scientist because he has started to feel again despite having had his heart removed. The pair’s journey is somewhat rushed and improbable, as is the resolution they achieve. However, the story’s message feels relevant and relatable to teens, and the artwork effectively sets the scene, with bursts of color popping throughout an otherwise black-and-white landscape, reflecting the monochromatic, heartless reality of June’s world. There are no ethnic or cultural markers in the text; June has paper-white skin and dark hair, and Max has dark skin and curly black hair.

A fast-paced dip into the possibility of a world without human emotions. (Graphic speculative fiction. 12-18)

Pub Date: June 13, 2023

ISBN: 9780063116214

Page Count: 304

Publisher: Greenwillow Books

Review Posted Online: April 24, 2023

Kirkus Reviews Issue: May 15, 2023

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MACBETH

From the Wordplay Shakespeare series

Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced...

A pairing of the text of the Scottish Play with a filmed performance, designed with the Shakespeare novice in mind.

The left side of the screen of this enhanced e-book contains a full version of Macbeth, while the right side includes a performance of the dialogue shown (approximately 20 lines’ worth per page). This granular focus allows newcomers to experience the nuances of the play, which is rich in irony, hidden intentions and sudden shifts in emotional temperature. The set and costuming are deliberately simple: The background is white, and Macbeth’s “armor” is a leather jacket. But nobody’s dumbing down their performances. Francesca Faridany is particularly good as a tightly coiled Lady Macbeth; Raphael Nash-Thompson gives his roles as the drunken porter and a witch a garrulousness that carries an entertainingly sinister edge. The presentation is not without its hiccups. Matching the video on the right with the text on the left means routinely cutting off dramatic moments; at one point, users have to swipe to see and read the second half of a scene’s closing couplet—presumably an easy fix. A “tap to translate” button on each page puts the text into plain English, but the pop-up text covers up Shakespeare’s original, denying any attempts at comparison; moreover, the translation mainly redefines more obscure words, suggesting that smaller pop-ups for individual terms might be more meaningful.

Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced e-book makes the play appealing and graspable to students . (Enhanced e-book. 12 & up)

Pub Date: Sept. 9, 2013

ISBN: N/A

Page Count: -

Publisher: The New Book Press LLC

Review Posted Online: Nov. 6, 2013

Kirkus Reviews Issue: Dec. 1, 2013

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