Bound to become a classic of the singles scene.
Internet dating comes under the microscope in Chilton’s darkly funny thriller.
After going on a few dates with various losers she’s swiped right on, English coffee-truck owner Gwendolyn Turner is pretty fed up with the dating scene. It doesn’t help that her best friend is due to get married to her milksop of a fiance on Valentine’s Day. Gritting her teeth through Sarah’s hellish hen party, Gwen takes a break to check the Connector app and gets a weird message from a possible match: He says he’s going to have to reschedule their date and includes a link to a news story about the death of a local man—a man Gwen had gone on a terrible date with a week earlier. When the police arrive to question her, it turns out that the guy she dated next is dead, too. Reeling from this strange news, she makes a list of the six men she’s gone out with—from the racist mini-golfer to the full-of-himself mama’s boy. As the body count mounts, Gwen becomes a person of interest in the investigation, of course, but the bigger question is, who could have known to whom she was matched? Who has hacked the app and is pulling the strings? And why her? She’ll have to do her own detective work, with the help of a shady Cuppacino employee and an infamous hacker with a French bulldog. There is definitely something ridiculous about this whole affair; the saving grace is that both Gwen and the author seem to recognize this, and despite the serial killer plot, nothing is taken too seriously. Of course, this could also be off-putting to some readers; no matter how terrible these men were to Gwen, they (probably) don’t deserve to be murdered. Still, Chilton shines a blackly humorous light on male misbehavior and love in the age of the internet—plus the timeless and ridiculous societal pressure of finding “the one.”
Bound to become a classic of the singles scene.Pub Date: May 21, 2024
ISBN: 9781668045701
Page Count: 304
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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