A slow and muddled coming-of-age tale that relies on its innovative style to carry the day.
In this tale of philosophical and spiritual self-discovery, two girls—one living in a fairy-tale-like world and the other in New York City—share commonalities despite the ways their stories set them apart.
Cohen’s new novel is split into two distinct stories. One follows Ani, who finds her life turned upside down when the Captain, the man who has ostensibly been looking after her, leaves the grounds of his home without any coherent explanation. Determined to find him and bring him back, Ani leaves as well, with only her bicycle and a small, helpless kitten that shouldn’t be away from its mother—and is, on some level, undoubtedly a metaphor for Ani herself—for company. Ani’s journey is a strange and winding odyssey in which she meets a bevy of strange and wise characters and recounts the trauma of her own youth to readers as a story within a story. Meanwhile, in New York City, Annamae Galinsky is dealing with her own trials and tribulations as she navigates young adulthood alongside her mother and older brother, Danny. Deeply lonely despite the companionship she finds in the odd inhabitants of her Manhattan neighborhood, Annamae feels the pull of friendship and a reflection of herself and her struggles, which readers will know to be Ani navigating her own faraway fantasy world. The thing about this novel that will capture the attention and imagination of readers is the original format in which it is told. While Ani and Annamae’s tales can be read in chronological order, it’s noted that the sections can be read in reverse order as well, and the final chapters are printed in columns so that both stories can exist on the same page. It’s a fascinating premise (though better suited to a physical edition of the book), and the result works almost as an artistic Choose Your Own Adventure book.
A slow and muddled coming-of-age tale that relies on its innovative style to carry the day.Pub Date: May 21, 2024
ISBN: 9781954276253
Page Count: 416
Publisher: Bellevue Literary Press
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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