This book will take you to places you never dreamed of going and aren't quite sure you want to stay, but you won't regret...
Robots may search for love, but there’s nothing wilder than human nature in this genre-bending short story collection from debut writer Elliott.
Elliott (English and Women and Gender Studies/Univ. of South Carolina) takes the definition of "wild" and runs with it in stories which leap from Southern gothic to dystopian science fiction and sometimes blend both together. A robot with silicone lips explores permutations of love; an Alzheimer’s patient regains her memory in a futuristic nursing home; and a woman goes on a Neanderthal retreat to lose weight. Sharp and funny, the stories are dark satires on the fad diets and self-absorption of modern life. Elliott shines when it comes to worldbuilding; her details are so dense and vivid the sticky heat of the deep South rises off the page, blending with the hipster neurosis of one of her Zen-crazed protagonists. She cartwheels from the sublime—“the sky in pink turmoil”—to the grotesque—“hormones spiked his blood...and fed the zits that festered on his sullen face"—but prefers to spend most of her time on the grotesque. At times it's hard to follow the lush twisting vines of Elliott’s plots because they're so entangled in the worlds she creates. But no matter: Even if the stories end abruptly, without enough of a road map to let you know where you are and why you're there, there's always a delicate image or an emotional jolt that leaves you wanting more.
This book will take you to places you never dreamed of going and aren't quite sure you want to stay, but you won't regret the journey.Pub Date: Oct. 14, 2014
ISBN: 978-1-935639-92-3
Page Count: 288
Publisher: Tin House
Review Posted Online: July 13, 2014
Kirkus Reviews Issue: Aug. 1, 2014
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
The thirty-one stories of the late Flannery O'Connor, collected for the first time. In addition to the nineteen stories gathered in her lifetime in Everything That Rises Must Converge (1965) and A Good Man is Hard to Find (1955) there are twelve previously published here and there. Flannery O'Connor's last story, "The Geranium," is a rewritten version of the first which appears here, submitted in 1947 for her master's thesis at the State University of Iowa.
Pub Date: Jan. 1, 1971
ISBN: 0374515360
Page Count: 555
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Oct. 1, 1971
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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