Next book

A DROP OF MIDNIGHT

A MEMOIR

A vibrant, thoughtful memoir reflecting contemporary black cultural concerns.

A memoir from a Swedish hip-hop artist with a multiracial background.

In his debut, Diakité looks at themes such as race, manhood, family ties, and rootlessness with an unusual stance and fresh, sometimes-striking voice. His writing has an ethereal, questioning quality, in sync with his background as the son of an African American man and a white American woman who moved to Sweden and then divorced. “I was never American, never Swedish, never white but never black either,” he writes. “I was a no-man’s-land in the world. I have a complex system of roots that branches across continents, ethnicities, classes, colors, and eras….Must I have just one origin?” Both parents are portrayed as complex, with mixed feelings about their experiences. As his mother notes, “to experience the same ignorance, the same fear, the same hate, in Sweden, weighed heavy on us.” Diakité captures the cruelty of childhood peers alongside his dawning perceptions regarding race, and he reflects on the cultural awakening that led him to success as a rapper in Sweden. “You might call Reagan the godfather of gangster rap,” he writes. “Under his rule was born the music made of hard drums and urgent voices.” The two primary narrative threads are his travels to the U.S., in an attempt to weigh his personal history against a larger story of racial marginalization, and his tenuous relationship with his father. Accompanied by a filmmaker friend, he visited places including rural South Carolina, Harlem, New Orleans, Baltimore, and tourist-oriented slave plantations (and one acknowledging the black perspective). Everywhere he grimly observes hidden narratives of the long-term mistreatment of black communities, tied to the original sin of slavery: “Real people—my forefathers—were whipped, tortured, herded, and sold like livestock.” Diakité explores family history that reflects much African American experience, including Jim Crow, Harlem in its prime, and the embrace of Afrocentrism in the 1960s. While his storytelling is occasionally heavy-handed or repetitive, the author’s prose is often nimble and observant, sharply considering the burdens surrounding race and masculinity.

A vibrant, thoughtful memoir reflecting contemporary black cultural concerns.

Pub Date: March 1, 2020

ISBN: 978-1-5420-1707-7

Page Count: 336

Publisher: Amazon Crossing

Review Posted Online: Jan. 25, 2020

Kirkus Reviews Issue: Feb. 15, 2020

Next book

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Next book

THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

Close Quickview