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HOW TO FALL OUT OF LOVE MADLY

Casale is an American Sally Rooney, so smart about friendship and love.

Three young women come to terms with the roles of the men in their lives and the sad fact that they put them there.

“I can’t hear them having sex, but I did hear her say one time, ‘There’s no way I’m doing that.’ And I can’t help but wonder what it is she doesn’t want to do....And if she won’t do it, would I? I don’t think so, but when she said that I wanted to scream out and say, ‘I’ll do it!’ ” This is Joy, who is hopelessly in love with her roommate Theo, who has an exquisitely beautiful girlfriend named Celine who frequently stays over and...yeah. In an even-more-impressive continuation of the work she began with her debut, The Girl Who Never Read Noam Chomsky (2018), Casale has again taken the detritus of women's inner lives—the things we wished had never happened, the thoughts we wished we'd never had, the endless self-flagellation about our bodies—and made something funny, warm, and compelling; something sisterly in the finest sense of the word. Joy and her roommate, Annie, take Theo as a third housemate to help make ends meet, but then Annie’s boyfriend, Jason, invites her to move in with him. This would be more of a win if Annie didn't have to manage every single interaction she has with Jason to avoid irritating him, asking something of him, or frightening him off. In one bitterly funny scene, he lights up the whole house with candles in order to tell her he’s not ready to get married but someday he will be. Casale’s narrative voice is deadpan, funny, and clean without being faux flat or pretentious. She controls the narrative not seamlessly but with interesting flexes of the storytelling muscle. Sometimes she tells you what's going on from a God’s-eye view. “This is where Joy could have spared herself.” “Here was where so much came together for Annie.” Other times she lets us directly into the women’s internal monologues, with first-person sections. The most fascinating of these belongs to Celine, a person who has to live with being so attractive that it’s all anyone can ever think about.

Casale is an American Sally Rooney, so smart about friendship and love.

Pub Date: Aug. 2, 2022

ISBN: 978-0-593-44772-7

Page Count: 352

Publisher: Dial Press

Review Posted Online: May 24, 2022

Kirkus Reviews Issue: June 15, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE BLUE HOUR

This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.

The discovery that a revered artist’s sculpture contains a human bone sets off scandal and violence.

Art historian James Becker has what seems like a sweet deal. He’s the curator of the collection of the Fairburn Foundation, housed at a stately home owned by the Lennox family: Sebastian, Becker’s best friend, and his bitter mother, Lady Emmeline. Becker’s wife, Helena, was Sebastian’s fiancee first, but they’re all very civilized about it and happily awaiting the birth of her baby. The centerpiece of the Fairburn collection is works by the late Vanessa Chapman, an artist about whom Becker wrote his thesis, and with whom he is somewhat obsessed. Partly, it’s because of her great talent, but she was also a glamorous figure, a beauty who, as she became successful, sequestered herself on an isolated Scottish tidal island called Eris. She had a dark side—lots of stormy relationships, plus a philandering mooch of a husband who vanished without a trace a few decades ago. Her reputation, though, has risen after her death—so much so that the Fairburn has loaned some of her works to the Tate Modern. That’s where a forensic anthropologist sees one of her sculptures, made of found objects that include what’s described as an animal bone. The scientist is sure the bone is human, and soon Becker finds himself scrambling to prevent scandal. Vanessa willed her works and papers to the foundation, but some of them are still on Eris, guarded by her longtime friend Grace Haswell. A retired doctor, Grace lived with Vanessa off and on over the years and nursed her through her fatal cancer. It was a surprise when Vanessa left her estate not to Grace but to Douglas Lennox, Emmeline’s husband and Sebastian’s father. Douglas was Vanessa’s gallerist and lover, but the two had a nasty falling-out. Sebastian is so frustrated by Grace’s refusal to turn over all of the bequest that he’s ready to sue her, but Becker believes he can negotiate, so off to the the island he goes. He finds far more treachery and shocking secrets than he expected, past and present alike. Hawkins keeps her cast tight, her wild setting ominous, and her plot moving fast.

This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.

Pub Date: Oct. 29, 2024

ISBN: 9780063396524

Page Count: 320

Publisher: Mariner Books

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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