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BLOODLESS

All of Pendergast’s adventures are weird and wonderful fun, and this is no exception.

FBI Special Agent Pendergast and his cohorts face great peril as they try to find out what’s bleeding a Georgia city dry.

In 1971, the mysterious hijacker D.B. Cooper parachutes from a commercial airliner with a bundle of cash in the remote northwest and is never heard from again. A half-century later, Aloysius X.L. Pendergast and colleague Armstrong Coldmoon are sent to Savannah, Georgia, to investigate a “most peculiar incident”: a body has washed ashore with nary a drop of blood left in the corpse. A reader’s first thought might be What’s that got to do with an old hijacking? Leave it to the imaginations of Preston and Child to eventually make the delightfully strange connection. Pendergast looks every bit the stereotypical undertaker, not at all fitting the FBI mold. He brings along his adult “ward,” Constance Greene, who brings her stiletto everywhere she goes. Meanwhile, bloodless bodies accumulate. Who could possibly be committing these frightful atrocities? And why only in Savannah? That one’s easy: because it’s a spooky old city “with its gnarled trees and crooked houses,” and everything about the plot is spooky and surreal. A film crew prepares to create a phony documentary in a graveyard using smoke machines and showing callous disregard for the dead. A scheming U.S. senator frets that the rapid escalation in ghastly violence will hurt his reelection prospects, and he pressures the FBI for a rapid solution. Unfortunately, the killer makes an unholy mess of the city, sucking out its Southern charm along with plenty of blood. He—she—let’s settle on it—turns the tale into one of more horror than crime. Without Pendergast’s perspicacity, Coldmoon’s competence, and Constance’s cojones (figuratively, of course), that old city of mint juleps would be a smoking hole in the ground. And readers wouldn’t learn about D.B. Cooper’s fate. The authors’ imaginations run unfettered as they travel to unearthly locales, but in the end it comes down to beleaguered Savannah.

All of Pendergast’s adventures are weird and wonderful fun, and this is no exception.

Pub Date: Aug. 17, 2021

ISBN: 978-1-5387-3670-8

Page Count: 400

Publisher: Grand Central Publishing

Review Posted Online: June 15, 2021

Kirkus Reviews Issue: July 1, 2021

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HOME IS WHERE THE BODIES ARE

Answers are hard to come by in this twisting tale designed to trick and delight.

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  • New York Times Bestseller

Three siblings on very different paths learn that their family home may be haunted by secrets.

Eldest daughter Beth is alone with her fading mother as she takes her final breath and says something about Beth’s long-departed brother and sister, who may not have disappeared forever. Beth is still reeling from the loss of her mother when her estranged siblings show up. Michael, the youngest, hasn’t been home since their father’s disappearance seven years ago. In the meantime, he’s outgrown his siblings, trading his share of the family troubles for a high-paying job in San Jose. Nicole, the middle child, has been overpowered by addiction and prioritized tuning out reality over any sense of responsibility, much to Beth’s disgust. Though their mother’s death marks an ending for the family, it’s also a beginning, as the three siblings realize when they find a disturbing videotape among their parents’ belongings. The video, from 1999, sheds suspicion on their father’s disappearance, linking it to a long-unsolved neighborhood mystery. Was it just a series of unfortunate circumstances that broke the family apart, or does something more sinister underlie the sadness they’ve all found in life? In chapters that rotate among the family’s first-person narratives, the siblings take turns digging up stories and secrets in their search for solace.

Answers are hard to come by in this twisting tale designed to trick and delight.

Pub Date: April 30, 2024

ISBN: 9798212182843

Page Count: 270

Publisher: Blackstone

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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