Demands readers’ attention and does not let go.
A tries to maintain their own identity in this graphic adaptation of Levithan’s bestselling 2012 novel by the same name.
Every day, A wakes up in a new body. They’ve had this uncontrollable ability since birth and have grown used to keeping people at a distance—that is, until A wakes up in Justin’s body and spends a romantic day at the beach with Rhiannon, Justin’s girlfriend. Unable to forget her, A conspires to spend more time with her. As Nathan, A attends a party and exchanges emails with Rhiannon, finally building an ongoing relationship. Unfortunately, Nathan remembers being a spectator in his own body and tells people he believes he was possessed by a demon. Rhiannon does some investigating, realizes A’s story doesn’t add up, and A reveals the truth. Despite her growing feelings, Rhiannon doubts their relationship could work due to A’s constant body-hopping. Questions of consent and selfhood are explicitly addressed through A’s body swapping, making A an incredibly relatable protagonist and the premise as intriguing and relevant as ever. Because A wakes up in a different body every day, it can be difficult at times to spot which character they are currently inhabiting, but this is overall a very successful adaptation. The racially diverse cast is drawn in an expressive style, and the use of light and shadow and the varied color palette are highly effective.
Demands readers’ attention and does not let go. (Graphic fiction. 12-18)Pub Date: May 2, 2023
ISBN: 9780593428986
Page Count: 208
Publisher: Knopf
Review Posted Online: March 28, 2023
Kirkus Reviews Issue: April 15, 2023
A fast-paced dip into the possibility of a world without human emotions.
A teenage girl refuses a medical procedure to remove her heart and her emotions.
June lives in a future in which a reclusive Scientist has pioneered a procedure to remove hearts, thus eliminating all “sadness, anxiety, and anger.” The downside is that it numbs pleasurable feelings, too. Most people around June have had the procedure done; for young people, in part because doing so helps them become more focused and successful. Before long, June is the only one among her peers who still has her heart. When her parents decide it’s time for her to have the procedure so she can become more focused in school, June hatches a plan to pretend to go through with it. She also investigates a way to restore her beloved sister’s heart, joining forces with Max, a classmate who’s also researching the Scientist because he has started to feel again despite having had his heart removed. The pair’s journey is somewhat rushed and improbable, as is the resolution they achieve. However, the story’s message feels relevant and relatable to teens, and the artwork effectively sets the scene, with bursts of color popping throughout an otherwise black-and-white landscape, reflecting the monochromatic, heartless reality of June’s world. There are no ethnic or cultural markers in the text; June has paper-white skin and dark hair, and Max has dark skin and curly black hair.
A fast-paced dip into the possibility of a world without human emotions. (Graphic speculative fiction. 12-18)Pub Date: June 13, 2023
ISBN: 9780063116214
Page Count: 304
Publisher: Greenwillow Books
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced...
A pairing of the text of the Scottish Play with a filmed performance, designed with the Shakespeare novice in mind.
The left side of the screen of this enhanced e-book contains a full version of Macbeth, while the right side includes a performance of the dialogue shown (approximately 20 lines’ worth per page). This granular focus allows newcomers to experience the nuances of the play, which is rich in irony, hidden intentions and sudden shifts in emotional temperature. The set and costuming are deliberately simple: The background is white, and Macbeth’s “armor” is a leather jacket. But nobody’s dumbing down their performances. Francesca Faridany is particularly good as a tightly coiled Lady Macbeth; Raphael Nash-Thompson gives his roles as the drunken porter and a witch a garrulousness that carries an entertainingly sinister edge. The presentation is not without its hiccups. Matching the video on the right with the text on the left means routinely cutting off dramatic moments; at one point, users have to swipe to see and read the second half of a scene’s closing couplet—presumably an easy fix. A “tap to translate” button on each page puts the text into plain English, but the pop-up text covers up Shakespeare’s original, denying any attempts at comparison; moreover, the translation mainly redefines more obscure words, suggesting that smaller pop-ups for individual terms might be more meaningful.
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced e-book makes the play appealing and graspable to students . (Enhanced e-book. 12 & up)Pub Date: Sept. 9, 2013
ISBN: N/A
Page Count: -
Publisher: The New Book Press LLC
Review Posted Online: Nov. 6, 2013
Kirkus Reviews Issue: Dec. 1, 2013
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