This meditation on the patterns of life shines with reminders of what we carry with us as we grow.
A series of moments, mundane and meaningful, capture the wonder of a life well lived.
Each spread in the book offers a set of opposites. A baby is “a small person in a big chair” awaiting “squishy oatmeal in a hard bowl.” Three pages later, that baby is a child who greets their returning parents, feeling “a cold jacket on a warm face.” Soon the little one becomes a student, a parent, and, finally, a grandparent. Salmieri’s colored-pencil drawings reveal the constants that follow the protagonist as they age; plants, bluebirds, and a black dog all reappear throughout. Deeper connections are implied, too. A microscope gifted in childhood foreshadows a career in science, and the protagonist’s future partner can be spotted in the background of the lab in which they work. This play between text and illustration will engage young readers, while the journey through familiar beats of life is sure to tug at caretakers’ heartstrings. The protagonist has the same black hair and tan skin as one of their parents; their other parent has brown hair and skin a shade lighter. The protagonist’s partner is lighter-skinned, and their grandchild is brown-skinned. Background characters are racially diverse but differ little in body type. (This book was reviewed digitally.)
This meditation on the patterns of life shines with reminders of what we carry with us as we grow. (Picture book. 3-7)Pub Date: June 6, 2023
ISBN: 9780593461976
Page Count: 48
Publisher: Rocky Pond Books/Penguin
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
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