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RUSSELL WRESTLES THE RELATIVES

When read with a TV-announcer voice, the exaggerated mayhem of text and illustration could make for a kooky KO at storytime.

Mushy family reunions? With Russell’s family they’re more mashy than anything else.

Russell is a scrawny kid, and with only one day left before the family reunion, he has yet to devise a plan to escape the tickles, hair-tousles, handshakes, and hugs. His family members are pro wrestlers, so get-togethers can get physical fast. Hiding doesn’t get him past the opening doorbell. First his twin cousins “tag-team him with back-to-back Backbusters.” Then his uncle “Iron Arm” Murphy grabs his hand for an Earthquake Shake. When his cousin “Cora, The Cleaner” grabs him for a Spin Cycle hug, Russell slips out of her hold. After another smooth escape, Russell suddenly has the moves and the confidence to thwart all attempts at hugging—but can he block Grammy Dorothy’s trademark Kansas Crusher hug? Johnson’s jokey juxtaposition of family togetherness and pro-wrestling silliness will strike both a chord and a funny bone for little listeners. Duncan’s scratchy, colorful, digitally created, cartoon illustrations are full of goofy action and outrageous costumes. Russell and his mom are white, but skin tones and wrestler nicknames hint at a multiethnic extended family for Russell.

When read with a TV-announcer voice, the exaggerated mayhem of text and illustration could make for a kooky KO at storytime. (Picture book. 3-7)

Pub Date: June 12, 2018

ISBN: 978-1-4814-9159-4

Page Count: 40

Publisher: Aladdin

Review Posted Online: March 26, 2018

Kirkus Reviews Issue: April 15, 2018

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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