Readers will surely want to join this sweet family.
Five children live a shabby but idyllic life on their own, caring for their home, their garden, and one another.
Merra, Locky, Roozle, Finn, and Jory, children of varying sizes and skin tones, all charmingly illustrated in Castillo’s signature style, live by themselves in a colorful “ramble shamble house.” Each has their own responsibilities: Merra, the oldest, who presents Black, tends the garden and tells bedtime stories. Others take care of chickens, shoo blackbirds, and pull carrots. Jory, the baby, sits on the ground in his onesie pajamas and, adorably, “look[s] after the mud.” (His pale face is smudged with it.) One day, however, they discover a picture of a “proper” house in a book. It doesn’t look like theirs at all. So they set out to “proper up” their home, replacing the carrot patch with roses, creating a fancy henhouse, fashioning a chandelier out of stinkbugs, and raking over the mud puddles. The result is a home that certainly looks more proper, but nothing works smoothly. And worst of all, what’s happened to Jory? Soontornvat’s complete lack of exposition, with no explanation of how five diverse children came to live this way, lends the story a classic, old-time–y feel that allows readers to focus on more important things: what it means to contribute to the well-being of others, what makes a family, and what love looks like. Hint: It doesn’t look like diamond chandeliers. (This book was reviewed digitally with 10-by-16-inch double-page spreads viewed at 64.5% of actual size.)
Readers will surely want to join this sweet family. (Picture book. 3-7)Pub Date: March 9, 2021
ISBN: 978-0-399-17632-6
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: Dec. 24, 2020
Kirkus Reviews Issue: Jan. 15, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
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