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INDIAN NO MORE

A good starting point to introduce the legacy of tribal termination.

In 1954, the Umpqua tribe was terminated by the government.

Unable to afford their land on the former Umpqua Grand Ronde reservation in Oregon, 10-year-old Regina Petit’s father, who is Umpqua, decides to sign up for the Indian Relocation Program and move the entire family to Los Angeles. Regina and her little sister, Peewee, spend the summer adjusting to life in their multicultural South Central Los Angeles neighborhood, where they befriend black siblings Keith and Addie and Cuban brothers Anthony and Philip. In this new environment, Regina is forced to confront the dominant ideas about her Indian identity through what the other kids have learned at school and from the 1950s TV show The Lone Ranger. A neighborhood game of Cowboys and Indians defies the outcome Regina played on the rez, where the Indians win. The children experience a racist attack while trick-or-treating when white teenagers throw eggs and use the N-word. (The book leaves Regina puzzling over this incident without addressing the history or implications of the slur.) McManis and Sorell produce a poignant family story of the impact termination had on the thousands of Native Americans who left reservations in order to survive. Using a supporting cast of color to reflect distorted stereotypes back at them, however, has the effect of eliding the implication of white culture in their origins.

A good starting point to introduce the legacy of tribal termination. (Historical fiction. 8-12)

Pub Date: Sept. 24, 2019

ISBN: 978-1-62014-839-6

Page Count: 224

Publisher: Tu Books

Review Posted Online: July 13, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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CHARLOTTE'S WEB

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...

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A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.

Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.

Pub Date: Oct. 15, 1952

ISBN: 978-0-06-026385-0

Page Count: 192

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 1952

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STEALING HOME

An emotional, much-needed historical graphic novel.

Sandy and his family, Japanese Canadians, experience hatred and incarceration during World War II.

Sandy Saito loves baseball, and the Vancouver Asahi ballplayers are his heroes. But when they lose in the 1941 semifinals, Sandy’s dad calls it a bad omen. Sure enough, in December 1941, Japan bombs Pearl Harbor in the U.S. The Canadian government begins to ban Japanese people from certain areas, moving them to “dormitories” and setting a curfew. Sandy wants to spend time with his father, but as a doctor, his dad is busy, often sneaking out past curfew to work. One night Papa is taken to “where he [is] needed most,” and the family is forced into an internment camp. Life at the camp isn’t easy, and even with some of the Asahi players playing ball there, it just isn’t the same. Trying to understand and find joy again, Sandy struggles with his new reality and relationship with his father. Based on the true experiences of Japanese Canadians and the Vancouver Asahi team, this graphic novel is a glimpse of how their lives were affected by WWII. The end is a bit abrupt, but it’s still an inspiring and sweet look at how baseball helped them through hardship. The illustrations are all in a sepia tone, giving it an antique look and conveying the emotions and struggles. None of the illustrations of their experiences are overly graphic, making it a good introduction to this upsetting topic for middle-grade readers.

An emotional, much-needed historical graphic novel. (afterword, further resources) (Graphic historical fiction. 9-12)

Pub Date: Oct. 5, 2021

ISBN: 978-1-5253-0334-0

Page Count: 112

Publisher: Kids Can

Review Posted Online: June 28, 2021

Kirkus Reviews Issue: July 15, 2021

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