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THE LIBRARY BUS

An inspiring story that conveys the power of education—paying it forward and meeting avid readers where they are.

It’s dark in Kabul when young Pari and her mother start up the library bus to visit a small village.

It’s Pari’s first day as Mama’s library helper, and she is excited to be on the only “library bus in all of Kabul.” Girls await the bus, eager to return the books they borrowed from the previous week and to browse for new ones. Then Pari’s mom gathers the girls in a circle to practice English. Afterward, the bus heads along to a refugee camp, and on the way Pari learns that her grandpa taught Mama how to read at a time when girls were not allowed to go to school. She is starting school next year, and her mom encourages her to “study hard [and] never stop learning. Then you will be free.” At the camp, Pari helps pass out notebooks and pencils, and Mama checks out books to the girls. Later, at home, Mama assures Pari that she will help the girls in the village the same way Grandpa helped her. Grimard’s illustrations pair well with Rahman’s words, from the sun rising over the mountains in the morning against an atmospheric sky to the dusty camp area with tents labeled UNHCR. Pari, her mom, and many girls cover their hair. In the backmatter, the author, an Afghan refugee himself now living in Canada, offers a personal message, which is accompanied by a brief note about refugee camps.

An inspiring story that conveys the power of education—paying it forward and meeting avid readers where they are. (Picture book. 4-8)

Pub Date: Oct. 27, 2020

ISBN: 978-1-77278-101-4

Page Count: 32

Publisher: Pajama Press

Review Posted Online: Aug. 31, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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