A novel that traces humanity’s journey from what we imagine ourselves to be to what’s next.
Letters from humankind and our descendants weave together a story of love, robots, and poetry.
“Poetry is different from fiction, it’s not about story, it’s about becoming someone else,” explains one of the leads in this thoughtful speculative experiment. In it, translator Hur tackles the existential questions posed in Blade Runner but finds answers (and a title) in Emily Dickinson. The novel opens on a crisis in South Africa, as researcher Mali Beeko wonders why one of her most important patients has disappeared. In this near-future, a chosen few have been rescued from early deaths by scientists who systematically replace every diseased cell in their bodies with a bioengineered healthy cell using nanites. This alone would be a cool way to ponder the Ship of Theseus, a philosophical exercise that questions the nature of identity when a person or object is replaced, but the experiment just keeps going. First, over time, the patients themselves becomes influential. Ellen Van der Merwe is a classical cellist whose terrible fate will only become clear later, while Yonghun Han is a literary researcher who uses his extra years to create an AI called Panit, or “Beloved,” as a way to stay close to his late husband. Leaning more on literary discovery than hard SF tropes, the story is extrapolated to the far future by transposing Panit into an android body, followed inevitably by a war between the evolving androids (all reproductions of Ellen) and what people remain. That’s a big idea, but the narrative here is more interested in who we are than who wins. It’s a sad story, but Hur uses its disquieting ideas to sweet effect. It’s an unfailing affirmation of the persistence of love and art, even in the face of oblivion, one that tells us “it’s the story you write that is you.”
A novel that traces humanity’s journey from what we imagine ourselves to be to what’s next.Pub Date: July 9, 2024
ISBN: 9780063344488
Page Count: 256
Publisher: HarperVia
Review Posted Online: May 4, 2024
Kirkus Reviews Issue: June 1, 2024
A moving portrait of rueful middle age and the failure to connect.
An acclaimed novelist revisits the central characters of his best-known work.
At the end of Brooklyn (2009), Eilis Lacey departed Ireland for the second and final time—headed back to New York and the Italian American husband she had secretly married after first traveling there for work. In her hometown of Enniscorthy, she left behind Jim Farrell, a young man she’d fallen in love with during her visit, and the inevitable gossip about her conduct. Tóibín’s 11th novel introduces readers to Eilis 20 years later, in 1976, still married to Tony Fiorello and living in the titular suburbia with their two teenage children. But Eilis’ seemingly placid existence is disturbed when a stranger confronts her, accusing Tony of having an affair with his wife—now pregnant—and threatening to leave the baby on their doorstep. “She’d known men like this in Ireland,” Tóibín writes. “Should one of them discover that their wife had been unfaithful and was pregnant as a result, they would not have the baby in the house.” This shock sends Eilis back to Enniscorthy for a visit—or perhaps a longer stay. (Eilis’ motives are as inscrutable as ever, even to herself.) She finds the never-married Jim managing his late father’s pub; unbeknownst to Eilis (and the town), he’s become involved with her widowed friend Nancy, who struggles to maintain the family chip shop. Eilis herself appears different to her old friends: “Something had happened to her in America,” Nancy concludes. Although the novel begins with a soap-operatic confrontation—and ends with a dramatic denouement, as Eilis’ fate is determined in a plot twist worthy of Edith Wharton—the author is a master of quiet, restrained prose, calmly observing the mores and mindsets of provincial Ireland, not much changed from the 1950s.
A moving portrait of rueful middle age and the failure to connect.Pub Date: May 7, 2024
ISBN: 9781476785110
Page Count: 304
Publisher: Scribner
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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